{"id":3420,"date":"2025-04-16T19:01:49","date_gmt":"2025-04-16T19:01:49","guid":{"rendered":"https:\/\/balazsbolygo.com\/new\/?page_id=3420"},"modified":"2025-10-16T18:09:27","modified_gmt":"2025-10-16T18:09:27","slug":"about-me-new","status":"publish","type":"page","link":"https:\/\/balazsbolygo.com\/new\/about-me-new\/","title":{"rendered":"About Me New"},"content":{"rendered":"

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Balazs is an award winning cinematographer with over 25 years experience in all genres, but mainly working in Features, High End TV and commercials. Balazs is a member of both the Hungarian Cinematographers Association (HCA) and the British Society of Cinematographers (BSC).<\/span><\/p>\n

Hungarian born, though raised in the home counties of England, Balazs was drawn towards cinematography through the love of photography, likely to have been hereditary being been born into a family of photographers. His foray into the film industry came through the good fortune of being involved with graduation films at the NFTS and the London Film School while still a teenager, … which led him to assisting and subsequently focus pulling.<\/span><\/p>\n

While attempting to build a career as part of a camera crew, Balazs also started shooting short films and music videos eventually ending up at the doors of the London College of Printing to gain some formal training escaping the academic lure of studying Physics at Cambridge. A Batchelor of Science degree seemed a good way to get some much-needed letters after one\u2019s name … a favoured trend in cinematographers one noticed, though rather naively at the time.<\/span><\/p>\n

Balazs completed his education at the National Film School and ventured into the world as a fledgling cinematographer landing his first feature film, \u201cFakers\u201d<\/strong> in 2003. After shooting a few independent feature films, Balazs shot a few episodes of the BBC series \u201cHustle\u201d<\/strong> in 2004 and as a result it set the seeds of a career trajectory shooting high-end television dramas.<\/span><\/p>\n

Through \u201cLife on Mars\u201d<\/strong> (BBC), Balazs met SJ Clarkson and has successively teamed uP with her on a number of television and feature projects; \u201cMistresses\u201d<\/span>, \u201cWhitechapel\u201d<\/span>, \u201cHunted\u201d<\/span>, \u201cToast\u201d<\/span>, \u201cCollateral\u201d<\/span>, \u201cBloodmoon – Game of Thrones Prequel\u201d<\/span>, “ANATOMY OF A SCANDAL”<\/span> building a durable creative bond and partnership.<\/span><\/p>\n

Balazs was proposed for BSC membership in 2013 by Phil Meheux BSC, who has been a mentor and a guiding influence to him, HAVING met during a night shoot in 1998 at Blenheim Palace, while still at film school.<\/span><\/p>\n

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Rekindling his connection to Hungary, and through a humbling moment, Balazs was invited to join the HSC in 2009 and received his membership from Vilmos Zsigmond and Lajos Koltai.<\/span><\/p>\n

Balazs has been nominated twice for a BAFTA, as well as the ASC award, while winning an ASC Award in 2012 for his work on HBO\u2019s \u201cHunted\u201d<\/strong> series.<\/span><\/p>\n

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AWARDS & NOMINATIONS<\/h5>\n <\/div>\n [vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text css_animation=”fadeInRight” css=””]<\/p>\n

COLLATERAL<\/p>\n

Nominated<\/span>
\nBAFTA Award for TELEVISION (FICTION): Photography, 2019<\/p>\n

HARLEY & THE DAVIDSONS<\/p>\n

Nominated<\/span>
\nASC Award for Outstanding Achievement in Cinematography, 2016<\/p>\n

HUNTED<\/p>\n

Winner<\/span>
\nASC Award for Outstanding Achievement in Cinematography, 2013<\/p>\n

Nominated<\/span>
\nBAFTA Award for TELEVISION (FICTION): Photography, 2013<\/p>\n

Nominated<\/span>
\nGold Panda Award for Best Photography in a Miniseries, 2013[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text css_animation=”fadeInRight” css=””]<\/p>\n

TOAST<\/p>\n

Nominated<\/span>
\nHSC Outstanding Achievement in Cinematography Award, 2011<\/p>\n

IT\u2019S ALL GONE PETE TONG<\/p>\n

Nominated<\/span>
\nAchievement in Cinematography, Genie Awards, ACCT, 2006<\/p>\n

Winner<\/span>
\nBest Feature Film, GEN ART Film Festival, New York 2005
\nBest Feature Film, HBO Comedy Arts Festival, Aspen 2005
\nBest Canadian Feature Film, Toronto Film Festival 2004<\/p>\n

FRESH MEAT<\/p>\n

Nominated<\/span>
\nRTS Award for Best Scripted Comedy, 2012
\nWinner<\/span>
\nBest Comedy Programme British Comedy Awards, 2011[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text css_animation=”fadeInRight” css=””]<\/p>\n

LIFE ON MARS 2<\/p>\n

winner<\/span>
\nEMMY\u00ae Award for Best Drama Series, 2008<\/p>\n

LIFE ON MARS<\/p>\n

winner<\/span>
\nAudience Pioneer Award, BAFTA, 2007
\nBest Drama Series, Broadcast Awards, 2007
\nBest New Programme, Broadcast Awards, 2007
\nEMMY\u00ae Award for Best Drama Series, 2006
\nBest Continuing Series, BANFF World Television Awards, 2006<\/p>\n

THE CHOIR<\/p>\n

winner<\/span>
\nBest Short, Chicago International Children’s Film Festival (Academy Accredited), 2003
\nOfficial Selection Tribeca Festival New York, 2003
\nBAFTA (Scotland) Best Short Film & TV Craft, 2002
\nBAFTA (Scotland) Best Short Film Director, 2002[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” uniqid=”5cd91d0a2b257″ css=”.vc_custom_1738754766682{background-color: #000000 !important;}”][vc_column background_parallax=”” uniqid=”67a62d5681191″][vc_row_inner][vc_column_inner][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″]\t\t\t\t\t\t\t

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01<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t
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01<\/span>Toast<\/h5>\n\t\t\t
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<\/div>\n\t\t\t\t<\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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02<\/span>Hunted<\/h5>\n\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/use>\n\t\t\t\t\t\t<\/svg><\/i><\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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03<\/span>Chosen<\/h5>\n\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/use>\n\t\t\t\t\t\t<\/svg><\/i><\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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04<\/span>Harley and the Davidsons<\/h5>\n\t\t\t
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<\/div>\n\t\t\t\t<\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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06<\/span>The Rook<\/h5>\n\t\t\t
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08<\/span>Collateral<\/h5>\n\t\t\t
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09<\/span>Anatomy of a Scandal<\/h5>\n\t\t\t
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<\/div>\n\t\t\t\t<\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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10<\/span>The Man Who Fell to Earth<\/h5>\n\t\t\t
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11<\/span>The Agency<\/h5>\n\t\t\t
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12<\/span>Suspect: The Shooting of Jean Charles de Menezes<\/h5>\n\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/use>\n\t\t\t\t\t\t<\/svg><\/i><\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t[\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1738754766682{background-color: #000000 !important;}”][vc_column background_parallax=””][vc_row_inner][vc_column_inner][vc_empty_space height=”100px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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